I don't think it ever crossed my mind that one day a mission film would be deemed unsuitable for under 16s; but then I don't think it ever crossed my mind that one like the BMS This Dark World DVD would ever be made.

The focus is on a project working with women sex-workers in Bangkok, and it pushes a few boundaries on comfortable Christian film-making.  It voices the fact that among the sex-tourists in Bangkok are Christian men; it speaks openly of occult practices in parts of Thailand and of the work of deliverance ministry for those affected; it speaks honestly of causes of women entering the industry: poverty and trafficking being predominant; it acknowledges the factors that may drive lonely, disillusioned or broken men to seek escape or solace in the arms of a beautiful young woman, only to be rejected despite their willingness to pay.

There are no quick fix solutions, and the BMS supported project operates at many levels, from befriending, to offering paid work, to sharing faith, and so on.  The accompanying resource material is challenging for western church-folk because it forces people to recognise their own brokenness and temptation as well as thinking about issues far away; it requires them to consider supernatural as well as human factors in our behaviours; it forces women to think about how men might feel as well as men to consider their attitudes to women.

Rather than offering answers, we are left with questions.  Rather than sticking plasters solution and twee prayers, we are challenged to think deeply and pray earnestly. In some ways the over 16s label isn't just about the content but about the response... grown up issues need grown up thinking and if this is how it can be facilitated, then all to the good.

I admire the risk BMS has taken here, finding a line that is appropriate in showing girls in bars waiting to be picked up without inadvertently leading astray those who may be especially vulnerable to temptation of this kind.  I admire the songs by Pete James that reflect his own western, male, perspective and the questions with which he is left.  And above all, I admire Emily Chalke and the others at Night Light Bangkok who live with grace and love the gospel they also share in words.

Did other readers use that old BBC radio broadcast for singing classes in primary school?  Having moved on from Time and Tune in the infants, we had Singing Together in the juniors.  I can still recall the smell of the new song leaflets that arrived each term, and recall the headmaster playing the piano as we continued to sing after the 15 minute broadcast finished.  I can also recall the one time there was to be singing in the end of year 'play day', being told I couldn't sing because my voice wasn't good enough.  Fast forward thirty years, give or take, and on my placement at a Roman Catholic church the priest, bless his cotton socks, decreed that I had a good voice, and must sing the cantor part of the psalm on numerous occasions.  In between I had sung in other school choirs and a church singing group.  For all that's been good, it's the early negative that sticks...

Anyway, yesterday I allowed myself to be persuaded to join in with the combined choirs for the evening service on the basis that there might otherwise only be one soprano, and having looked at the music decided that it was in my range (mezzo) and to give it a go.  In the end there were, I think, five sopranos and two altos as well as a lot of basses and a few tenors, all augmented by eight delightful child trebles.  It was fun to be singing with other people, and also encouraging to discover that I can still hold my part 'against' others - because of where I sat a one point I had the people either side of me singing something utterly different from each other and from me, and the tenors (I think!) behind me.  All of which gave me a confidence boost... and I did say to our one regular alto that I just *might* be persuaded to give it a go sometimes (there's no way I could hit the top notes on some of the soprano parts!).

Singing together is good fun, and there needs to be room for 'growlers' as well as 'angel voices.'  I am sure my former headteacher, were he still alive, would be horrified to know the impact of his deicison not to allow me to sing in the end of term concert because he was a kind and gracious man, and it serves as a reminder to those of us who strive for perfection to recognise the impact that may have on others.