Ok

By continuing your visit to this site, you accept the use of cookies. These ensure the smooth running of our services. Learn more.

Participating in God - Holy Ceilidgh

08ab7804ba73300251b654d524a780b3.jpg

 

This picture is on the cover of UK editions of Paul Fiddes wonderful (if, for new readers of his work, fairly hard work to get into) book on the Trinity.  In the USA they have a nice plain red cover it seems.  I mean, all those naked women well, it's a bit distracting for male pastors, isn't it?!!!!

I have pinched the picture from the web because it captures something of the mystery and energy of the concept of perichoresis as divine dance (seemingly lots of people who read this blog thought "peri-chor-what" the other day when I mentioned it).

So here is my interpetation of it all...

Picture the Trinity as being engaed in a Divine "Reel of Three" (a la Dashing White Sergeant, or similar).  Each member of the Trinity whirls, and is whirled by, the other two as they move around creating wonderful patterns along the way.  Now imagine that the dance turns outward and others are drawn in (a divine lure for process theologians, irresistable grace for Calvinists, free will response for me) and are energised, whirled and twirled by the dancers.  Then they in turn reach outwards to draw in others (evangelism, mission, outreach) in what might be envisaged as a missional grand chain.

The dance whirls on through the great Ceilidgh of history and we find ourselves grasped by those who went before us (who are your heroes of faith?) and spun on again to reach out and touch more and more people...

Are there wallflowers in this Celidgh?  Are we reaching out to welcome them in? 

What's so great about this dance is that you can have two left feet (what a right-handed world this is, pah) or no sense of rhythm and it doesn't matter - it is the energy of the divine reel of three that drives it, the melody of divine love to which we dance and, if a caller is needed, it is the prevenient grace of the God beyond naming.

The comments are closed.