Earlier this week, I decided that I wanted to use some images at the start of tomorrow's sermon. Over the years I have collected a number of striking images that have been used in worship, including the iconic image of the naked girl fleeing the napalm bombing. I had pondered using Shoah (Holocaust) images and others that depicted attrocity/suffering throughout the twentieth century, and then decided instread to stick with 21st century images.
Then came the whole Facebook debacle over whether or not this photo contravened their nudity policy. And actually, whilst I think the photo should be permitted, their initial response raises important questions. As a rule, we all agree that posting photos of naked children is inappropriate, if this had been a photo of a naked child refugee, or a naked child playing on a beach, it would never have been allowed. So where is the line to be drawn?
I made a very conscious decision in my choice of photos for tomorrow to avoid any that directly depicted dead bodies, even covered corpses, and specifically avoided any of injured or dead children. The photo of Aylan Kurdi lying face down on a beach just over a year ago may have had shock value, but a year on, how many more children's bodies (and adults) have been washed up by the tide. There is a very real risk of voyeurism and exploitation of sorrow on the one hand, and a cheapening of life/death on the other.
So it's a tricky one. Photos and images are hugely powerful and can express things that words alone will never capture. At the same time, the twin risks of sensationalising and desensitising, and the potential for some sort of sanctified titillation are very real. Clearly, the iconic photo has no sexualised intent, it would still be shocking and horrific if all the children were fully clothed. At the same time, not one of the children captured in the image had the opportunity, let alone permission, to consent or otherwise.
No answers here, but I am left to ponder where the fine, fuzzy, lines should be drawn over using images such as this one.