Today's PAYG focused on Jeremiah at the house of the potter, a singularly beautiful image of Israel as the lump of clay that the potter gently caresses into shape... but despite the best efforts of the potter the clay distorts and the pot is spoiled.  What should the potter do?  Throw the clay away and start again with a new lump?  Cut some of it off?  Add some more to it?  No.  The potter squishes it up and tries again, and what emerges is beautiful and purposeful - even if not perhaps what the potter first had in mind.

Many things struck me as I listened to this, oh so familiar, passage...

The omnipresence of the potter in whose hands the clay is held - whatever happens to the clay, it is always held by the potter; the potter is intimately involved in every aspect of the process, and it is within the potter's hands, under the potter's touch, that the pot distorts and fails... hmmm.

The determination of the potter - if the pot goes awry the potter tries again.  Just because the imagined vase or jug or cup does not emerge does not render the project a failure.  Maybe, after all, this lump of clay contains instead a bowl or a lamp or a platter...

The squishing by the potter - ulp.  We (I) don't like to think of God squishing us, perhaps because squishing is equated with crushing, as something destructive.  Perhaps I need to imagine this as the potter folding in the sides of the bowl, incorporating the experiences of the clay into its very being and then reforming it to produce something lovely that would not otherwise have been possible?

The gentleness and patience of the potter.  Shaping clay is not a brutal process, it's a gentle one, more akin to caressing than kneading, embracing than pushing.  I found this little video that illustrates this brilliantly:

If you watched the video, did you notice the frailty and vulnerability of the finished pot?  It is easily damaged even in the hands of the skilled potter, only once it has dried out or been fired does it become solid - but even them it remains fragile and easily broken.

In 2 Corinthians we read of treasure in vessels of clay, often understood as being the cheap, disposable first century equivalent of a paper cup.  But what if we hold the two images together?  What if the treasure is in the clay jar, and the clay jar is the carefully worked and reworked clay of our lives, held in the tender, nail-scarred hands of the divine potter...?

Just a thought.